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Foucault’s Clay Feet: Ancient Greek Language Vases in Contemporary Theories of Intercourse

Foucault’s Clay Feet: Ancient Greek Language Vases in Contemporary Theories of Intercourse

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Although Michel Foucault never mentions the objects clearly, their work with ancient greek language sexuality depends in critical aspects on proof from intercourse scenes on ancient pottery that is greek. The value associated with the pictures comes into the fore in their argument in regards to the radical distinction of this gender-blind ethics of desire in Greek antiquity from the gender-based norms of modernity. Within the overarching narrative of his multi-volume genealogy of contemporary sex, the alterity of Greece underlines his broader contention in regards to the discursive foundation of intimate experience. This informative article confronts the historiographical biases that led Foucault to overlook the product nature of his sources and explores the implications this silence spelled for their successors. Its argument evolves across the disciplinary instruments which scholars use to include three-dimensional things inside the bounds of spoken description. Two-dimensional copies, in specific, enable historians to separate vase pictures from their contexts of consumption and redeploy them strategically to guide arguments that are unrelated. The conversation first has a critical glance at the archives of vase pictures that made feasible, or taken care of immediately, Foucault’s synthesis, then turns towards the probabilities of interpretation which the intercourse scenes wait when reunited with regards to ceramic figures. Of unique interest will be the operations that are manual in that great artefacts in convivial settings plus the interdependencies of painted and potted types that mark the items as deliberately subversive and open-ended. Mehr lesen